Sunday, July 28, 2013

Nobuyoshi Araki Photography

Nobuyoshi Araki  is a Japanese photographer and contemporary artist.
Photo by Nobuyoshi Araki, 1985


Sentimental Journey by Nobuyoshi Araki

"Sentimental Journey" is a visual diary by Nobuyoshi Araki  includes photographs of his wife Yoko by the time of her death. Araki says about the above photo, "The Last Shake hand", taken at the moment when she died. Most emotional still he had ever taken.
"Maybe I only had a relationship with her as a photographer, not as a partner. If I hadn’t documented her death, both the description of my state of mind and my declaration of love would have been incomplete. I found consolation in unmasking lust and loss, by staging a bitter confrontation between symbols. After Yoko’s death, I didn't want to photograph anything but life – honestly. Yet every time I pressed the button, I ended up close to death, because to photograph is to stop time. I want to tell you something, listen closely: photography is murder."- Araki

Björk by Araki

Nobuyoshi Araki- Series Sexteen (1969)
Mon journal d’été -My summer diary
Black and white photography with acrylic paint 


Yoko Araki death (1990)


Wednesday, July 17, 2013

Arakimentari (2004)

Arakimentari (2004)
85 min  -  Documentary | Biography
Director: Travis Klose
Stars: Araki, Nobuyoshi Araki, Björk

Arakimentari is a documentary about brash Japanese photographer Nobuyoshi Araki. He is notorious for his explicit and bondage photographic series. His photos looks, capturing the real scenes, may be that's the reason he is censured harshly by feminists.He found soul of his erotic art from traditional Japanese Shunga and bringing it to 70's Japanese society, he disputed with rigid social foundations. By destructing a predetermined form he is creating another form of art through his camera. This  interview includes dialogues about him by figures like Bjork, Takeshi Kitano.

Monday, July 15, 2013

Madrid, 1987 (2011)

Madrid, 1987 (2011)
105 min  -  Drama
Country: Spain
Language: Spanish
Director: David Trueba
Writer: David Trueba
Stars: José Sacristán, María Valverde, Ramon Fontserè
Miguel, a famous newspaper columnist/novelist about 70 years of age and Angela, a journalism student, age 17, are happened to stuck inside a bathroom. Film expands through the conflicts of these members from two extremes, the point where they share their bodies, intellectual and frivolous talks. At first she shows some repulsion towards him and is so bold to say that she is not interested to be fucked by him. But after they were shut inside, along with adapting to the claustrophobic atmosphere, she is finding some relief in him (it do not enter into some dramatic unusual love relationship). They use sex, funny talks, imaginations to conquer the time inside bathroom. More than the rigid, warm atmosphere inside bathroom (physical), its the society outside(mental) makes them fearsome. The characters are nude in major part of film directed by David Trueba-Miguel is played by José Sacristán and Angela by María Valverde.

Sunday, July 14, 2013

Cinema Komunisto (2010)

Cinema Komunisto (2010)
100 min
Documentary | History
Director: Mila Turajlic
Country: Serbia
Language: Serbo-Croatian

Through cinema/video footage  Cinema Komunisto is telling the story of a nation , now existing only in cinemas-Yugoslavia and its "benevolent dictator"- Josep Broz Tito. A nation formed after WW2, then constructing gigantic, cinematic atmosphere with the support of Tito, the cinephile (fan of western movies!!!), its progress its abjection and finally nostalgia in the relics. Historical and political background of Avala Film Studio, the largest and well sophisticated film studio in post war Yugoslavia, the wide acceptance of  Tito among directors like Hitchcock, Orson Welles, their participation with Yugoslavian film industry,also personal film taste of Tito (had seen 8801 films in his theater), the full support given by him to blow The bridge on the Neretva river (Bosnia) in real to recreate the scene that happened during Neretva river battle- Mila Turajlic finds ethnic film clips to make this Socialist Federal Republic of Cinema Komunisto and succeeded flawlessly . But the documentary only gives a vague idea about the restrictions faced by cinema technicians under Tito. A must watch documentary created by Mila Turajlic.

Saturday, July 13, 2013

Kaliya Mardan (1919)

Kaliya Mardan (1919)

Director: Dhundiraj Govind Phalke
Writer: Dhundiraj Govind Phalke
Stars: Neelkanth, Mandakini Phalke
Country: India

A beautiful silent movie showing mischievous Krishna and his plays. Probably Phalke made this one for children, to allow them act so innocently before camera. Through out the movie, Krisha is showing "us" how he is going to act/revenge/annoy his neighbors. He is looking towards viewer, talking to viewer, communicating with viewer, creating an ambiance;  he is by the side of us. And the most funny Krisha I had ever seen, played by Mandakini Phalke (his daughter). Most attracting side of Kaliya Mardan is, even there are fantastic visual effects sequences in climax, the pureness that spread all over the film. Directed by Dadasaheb Phalke and the protagonist is "Divine" Krishna played by Mandakini.
WATCH MOVIE:

Wednesday, July 3, 2013

Narcis Virgiliu Photography

Narcis Virgiliu  was born in Bucharest, Romania in 1971.
Famed for art nudity In one of his fine art series (Fine Art Nudes), Vigiliu symbolizes sex, relations, rules  by positioning materialistic components.


The Chastity
Album: Fine Art Nudes

The Pearl Inside
Album: Fine Art Nudes

Fatherhood
Album: Fine Art Nudes
Light
Album: Bizarre Still Life

Coffee gossip
Album: Bizarre Still Life



Monday, July 1, 2013

Zdzislaw Beksiński


Zdzisław Beksiński was a renowned Polish painter, photographer, and sculptor. Born in 1929, he grew up in southern Poland, then traveled to Krakow to study architecture where he subsequently spent several miserable years working as a construction site supervisor. His work from that era is primarily photography and sculpture.In the late 1960s, Beksiński entered what he himself called his "fantastic period", which lasted up to the mid-1980s. This is his best-known period, during which he created very disturbing images, showing a surrealistic, post-apocalyptic environment with very detailed scenes of death, decay, landscapes filled with skeletons, deformed figures and deserts. These paintings were quite detailed, painted with his trademark precision. At the time, Beksiński claimed, "I wish to paint in such a manner as if I were photographing dreams".
Although he depicts a harrowing world, Beksiński claimed that much of his work is misunderstood. Like Kafka (known to laugh hysterically when reading his own stories aloud), the Polish painter was often amused by his own work. He insisted his vision was ultimately optimistic.
In 1998, after years of illness, his wife Zofia died. A year later, his son Tomasz (a popular Polish radio personality and movie translator) committed suicide. Beksiński, who discovered his son’s body, was never quite the same.
On 21 February 2005, Beksiński was found dead in his flat in Warsaw with 17 stab wounds on his body; two of the wounds were determined to have been fatal. Robert Kupiec (the teenage son of his longtime caretaker), who later pleaded guilty, and a friend were arrested shortly after the crime. On 9 November 2006 Robert Kupiec was sentenced to 25 years in prison, and his accomplice, Łukasz Kupiec, to 5 years by the court of Warsaw. Before his death, Beksiński refused a loan to Robert Kupiec a few hundred złotys (approximately $100).